Minggu, 31 Juli 2011

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Electronic Circuit Analysis and Design, by William H. Hayt, G.W. Neudeck, W.H. Hayt Jr.

This revised and expanded edition emphasizes the basic concepts underlying the analysis and design of all discrete and integrated circuits. Contains an extensive treatment of semiconductor fundamentals; new material on power supplies and Schottky barrier diodes including useful models for diodes in avalanche breakdown and cutoff; a more accurate linear model for the biopolar transistor; the concept of the Early voltage; and an improved account of frequency response. Features two new chapters devoted to the operational amplifier and its specifications and the use of the op-amp, with a number of its important applications such as voltage references, comparators, differentiators and intergrators. Many of the examples and all of the problems are new.

  • Sales Rank: #1933671 in Books
  • Published on: 1989-04-01
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 480 pages

Most helpful customer reviews

14 of 14 people found the following review helpful.
The text to Learn the basics of transistor design from
By A Customer
I used this text in college and the teacher was the author,
my father also learned his circuit theory from the author.
Its focus is on practical transistor design fundamentals.
A lot of fine examples for illustration, and the problems
leads the learning student from easy to hard problems in
simple steps. There are a lot of newer books available on
the subject but this covers all the fundamental transistor
theory that a design engineer needs for background to move
forward in the engineering curriculum and does so in a clear
manner. None of the key models needed for more sophisticated
modeling are glossed over. The author's experience as a teacher
is what makes this a strong text. Since understanding of the
sophisticated design issues in later courses are dependent upon
thoroughly knowing the basics, this is the book to learn them
from.

6 of 6 people found the following review helpful.
Excellent Reference
By Duman
As an instructor, I'm continually searching for new and different ways to present material. The material in this book is written from the ground up, which means it starts with fundamentals and builds up to complete methodology for designing analog circuits. Included are data sheets from that era, how to extract parameters and use real data in a design. This is a gem, and remains relevant 30+ years after publication.

1 of 1 people found the following review helpful.
Very useful as a supplement in inicales electronics courses in Electrical ...
By Rainier Blanco
It is a text that despite his age will survive on fundamentals. Very useful as a supplement in inicales electronics courses in Electrical Engineering career.

See all 6 customer reviews...

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Kamis, 28 Juli 2011

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Friction: An Ethnography of Global Connection, by Anna Lowenhaupt Tsing

A wheel turns because of its encounter with the surface of the road; spinning in the air it goes nowhere. Rubbing two sticks together produces heat and light; one stick alone is just a stick. In both cases, it is friction that produces movement, action, effect. Challenging the widespread view that globalization invariably signifies a "clash" of cultures, anthropologist Anna Tsing here develops friction in its place as a metaphor for the diverse and conflicting social interactions that make up our contemporary world.

She focuses on one particular "zone of awkward engagement"--the rainforests of Indonesia--where in the 1980s and the 1990s capitalist interests increasingly reshaped the landscape not so much through corporate design as through awkward chains of legal and illegal entrepreneurs that wrested the land from previous claimants, creating resources for distant markets. In response, environmental movements arose to defend the rainforests and the communities of people who live in them. Not confined to a village, a province, or a nation, the social drama of the Indonesian rainforest includes local and national environmentalists, international science, North American investors, advocates for Brazilian rubber tappers, UN funding agencies, mountaineers, village elders, and urban students, among others--all combining in unpredictable, messy misunderstandings, but misunderstandings that sometimes work out.

Providing a portfolio of methods to study global interconnections, Tsing shows how curious and creative cultural differences are in the grip of worldly encounter, and how much is overlooked in contemporary theories of the global.

  • Sales Rank: #82681 in Books
  • Published on: 2005
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.68" h x .84" w x 6.70" l, 1.05 pounds
  • Binding: Paperback
  • 321 pages

Review
Co-Winner of the 2005 Senior Book Prize, American Ethnological Association

"Friction is an original, nuanced, and elegant work of ethnography and a significant contribution to the areas of globalization; environment and natural resource wars; the politics of indigenous peoples, NGOs, and development; and the sociology of expert versus local knowledge."--Michael Goldman, American Journal of Sociology

"By providing generous anecdotes and personal reflections amid more complex, insightful political commentary and social theory, [Tsing] achieves a writing style that is both pleasurable and informative."--Laura L B Graham, Environment & Planning

From the Inside Flap
"Friction is not only an engrossing display of ethnographic reports on the destruction of Kalimantan forests and local attempts to resist it. The book also proposes a highly original perspective of the global thrust of capital. Anna Tsing is at best when she describes the way capital produces an expanding 'frontier culture': a dense and murky story of fragments and fluidity, of hurdles and clashes that disrupt the neo-liberal theater of clarity. For an Indonesian reader, her work is a gift; it hints at the feasibility of hope--or at least the mingling of despair and hope. For a thinking activist, it suggests a fresh theory of action. Introducing the notion of 'engaged universals,' it brings home the role of 'utopian critiques.'"--Goenawan Mohamad, author of Conversations with Difference

"Friction is a wonderful, moving, absolutely beautiful book. One of the most important books in anthropology to appear in the past decade, it defines a field rather than simply fitting into one. This is the first sustained ethnography by a major anthropologist of Indonesia to address the post-Soeharto period. For those of us now attempting to come to terms with a strange political landscape of instability, Tsing offers both illuminating insight and useful tools. Ethnographically rigorous, brilliantly perceptive, and passionately engaged, this is the kind of writing we would all like to be able to produce."--Mary Steedly, Harvard University, author of Hanging without a Rope

"Recently, many have written about a 'clash' of civilizations, ideas, knowledges, and cultural formations. Tsing's brilliant innovation in this book is to talk in terms of 'collaboration' rather than conflict. One of the many enjoyable aspects of Friction is its continuation of the story Tsing introduced in her previous book, of the original and creative program of scholarship she is famously known for. This will be a much-discussed contribution to the anthropology of cosmopolitanism and transnational interconnection."--Celia Lowe, University of Washington

From the Back Cover

"Friction is not only an engrossing display of ethnographic reports on the destruction of Kalimantan forests and local attempts to resist it. The book also proposes a highly original perspective of the global thrust of capital. Anna Tsing is at best when she describes the way capital produces an expanding 'frontier culture': a dense and murky story of fragments and fluidity, of hurdles and clashes that disrupt the neo-liberal theater of clarity. For an Indonesian reader, her work is a gift; it hints at the feasibility of hope--or at least the mingling of despair and hope. For a thinking activist, it suggests a fresh theory of action. Introducing the notion of 'engaged universals,' it brings home the role of 'utopian critiques.'"--Goenawan Mohamad, author of Conversations with Difference

"Friction is a wonderful, moving, absolutely beautiful book. One of the most important books in anthropology to appear in the past decade, it defines a field rather than simply fitting into one. This is the first sustained ethnography by a major anthropologist of Indonesia to address the post-Soeharto period. For those of us now attempting to come to terms with a strange political landscape of instability, Tsing offers both illuminating insight and useful tools. Ethnographically rigorous, brilliantly perceptive, and passionately engaged, this is the kind of writing we would all like to be able to produce."--Mary Steedly, Harvard University, author of Hanging without a Rope

"Recently, many have written about a 'clash' of civilizations, ideas, knowledges, and cultural formations. Tsing's brilliant innovation in this book is to talk in terms of 'collaboration' rather than conflict. One of the many enjoyable aspects of Friction is its continuation of the story Tsing introduced in her previous book, of the original and creative program of scholarship she is famously known for. This will be a much-discussed contribution to the anthropology of cosmopolitanism and transnational interconnection."--Celia Lowe, University of Washington

Most helpful customer reviews

18 of 19 people found the following review helpful.
Yes! This is how it's done.
By oxalis
I picked this up from the city library after a professor showed it to me, admitting she hadn't read it; what a good decision that was! I bought a copy a few weeks later. At this point, I've probably read 'Friction' three times, and once or twice a year I'll pull it off the shelf to graze through Tsing's accomplished prose and absolutely jam-packed observations.

'Friction' deals with conflict in the rainforest of Indonesia, but that is a superficial description of a book that reads like a hero-less political thriller set in a multitudinous, global carnival of atrocity, adaptation, and survival. Tsing includes a large cast here: indigenous, rainforest communities, black market loggers, hikers, special forces units, environmentalists, multinationals, NGOs, political parties, and so on. Remarkably, none of these groups are left out as the book comes together. Rather, the reader is treated to a smooth description of the connections that are threaded between all of them, however insignificant they may have first appeared.

I am not sure that Tsing's concept of friction (the cultural co-formation occurring in global economy) is really original or functional enough to merit its role as title. It's an old concept that has worn different clothes (eg, 'creative destruction'). However, this is just a quibble, as Tsing also forwards a range of theoretical propositions that succeed in elaborating both her research subjects and a tentative sense of hope. Trees are social networks, 'universals' are promiscuous jet-setters, and utopias are valid rallying cries in apocalyptic landscapes of environmental devastation.

Tsing should be, and has been, praised for her restrained prose, which allows events to convey their moral impact without subjecting the reader to a sermon. Her writing is fluid, rhythmic, athletic and most of all, economical. I'm often surprised how small the book seems for the amount of writing it holds.

Finally, the presentation is refreshingly light. A few intriguing images are scattered through the book, traditional ecological knowledge is given some space, and poetry, extensive citations, excerpts from advertisements all work to expand the range of 'Fricton' while freeing up the weight of the text.

This is not your standard 'shock' and 'outrage' expose of corporate immorality. Instead, it is a detailed and novel look at the spectrum of actors involved in the formation of socioeconomic reality. 'Friction' would be a great choice for anyone looking for a complex analysis of the ongoing, global reticulation of capital, culture, environment, and technology. The book is accessible enough for popular consumption and detailed enough for academic and professional specialists. For those interested in the anthropology, ecology, economics, geography, or sociology of frontiers and margins, start here.

20 of 23 people found the following review helpful.
Astonishing, Original, Important, Useful, Timely
By Robert David STEELE Vivas
This is quite an astonishing book, absorbing, original. Although isolated from the literatures of predatory capitalism, moral natural green economics, and collective intelligence and social network wealth creation, I fix that with some links at the end of this review.

This is a very original and valuable work that merits a full reading and massive replication across millions of localities.

Here are my most important fly-leaf notes.

+ An original view at the conflicts and collaborations between predatory business practices (often combining bribery to obtain local armed force) and indigenous rights and natural resource claims.

+ Proposes a new form of global respect for cultural diversity and ethnic indigenous rights and innovative possibilities. Clearly appreciates E. O. Wilson's 1996 declaration of the importance of diversity as an engine and catalyst for human progress and prosperity.

+ Charming and stimulating discussion of how the forest is a social network above a natural network.

+ Author describes the ethnographic method as one that seeks out the odd couplings, the odd connections instead of seeking to create global generalizations.

+ Culturally-rooted odd connections are a source of cultural production.

+ Cultural and political delimitation is more successful and more sustainable than global camapaigns that demand generalizations applied to all localities, and fail to reflect nuances and differentiation (e.g. good coal emissions versus bad coal emissions).

+ Trenchant discussion and definitions of prosperity (disparities between fortunes for the few and scarcity for the many); knowledge (unequally distributed); and freedom (more for the few and less for the many).

+ Excellent discussion of the blurring of the lines between public, private, and criminal.

+ Fascinating discussion, centered on the fake gold mine in Indonesia, about how countries "stage" performances and fabricate opportunities in order to attract foreign investment.

+ Tart illustration and discussion of how frontier cultures (including soldiers who will kill indigeneous peoples whose wealth is being stolen and rights trampled); franchise cronyism; and finance capital that plays Russian roulette with other people's money.

+ Great discussion of the gaps between:

- Cultivated and wild

- Subsistence and market economies

- Farm and forest

- Settlements and hinterlands

+ Strong section on the value of differences in mobilizing indigenous interest and capabilities, and innovation.

+ In passing, this book makes me realize that our labor unions are dormant but can be mobilized.

My highest complement for any book: I learned important things I did not know, and see the world in a different light as a result. I also see my own life's work, and the Earth Intelligence Network of which I am one of 24 co-founders, in a different light.

This is a righteous book, a very valuable book, and in the context of all the other books I have read, this book is quite extraordinary, unique, and a MAJOR contribution to human knowledge.

Here are some other books that I recommend that bear out and complement the author's insightful and intelligent blending of

+ Green/diversity

+ Moral/natural capitalism

+ Collective intelligence/wealth of networks

+ Populism & deliberative democracy

+ Ethics, ecology, & evolution

Blessed Unrest: How the Largest Movement in the World Came into Being and Why No One Saw It Coming
Natural Capitalism: Creating the Next Industrial Revolution
The Battle for the Soul of Capitalism: How the Financial System Underminded Social Ideals, Damaged Trust in the Markets, Robbed Investors of Trillions - and What to Do About It [audio book TITLE is better, buy the book instead]
One from Many: VISA and the Rise of Chaordic Organization
Collective Intelligence: Mankind's Emerging World in Cyberspace
Group Genius: The Creative Power of Collaboration
The Wealth of Networks: How Social Production Transforms Markets and Freedom
The Tao of Democracy: Using Co-Intelligence to Create a World That Works for All
High Noon 20 Global Problems, 20 Years to Solve Them

18 of 21 people found the following review helpful.
Beautiful, eye-opening, public-minded anthropology
By Aristo
I was surprised to see no review of this book, so I had to write one. It has many interesting facets, but at its core is a vivid and sometimes heart-breaking portrayal of the true face of "globalization" - not the shining abstraction of Thomas Friedman's dreams but a capricious force that scrapes over landscapes, natural environments, and the societies that live in them and often leaves them devastated in the name of progress.

I rarely use the word beautiful to describe an ethnography, but this is one such case.I really think this book deserves a wider public outside anthropology; Tsing's insightful observations on the sad fate of Kalimantan should be a lesson to all those who think unfettered free markets and the global economy are the route to salvation.

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Kamis, 21 Juli 2011

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  • Published on: 1993-02-01
  • Binding: Paperback

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Selasa, 19 Juli 2011

[V171.Ebook] Download PDF Strega Nona: :, by Tomie dePaola

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Strega Nona: :, by Tomie dePaola

In this e-book edition, Tomie dePaola retells his classic story against a charming musical score.

Strega Nona—"Grandma Witch"—is the source for potions, cures, magic, and comfort in her Calabrian town. Her magical ever-full pasta pot is especially intriguing to hungry Big Anthony. Big Anthony is supposed to look after her house and tend her garden, but one day, when she goes over the mountain to visit Strega Amelia, he recites the magic verse over the pasta pot, with disastrous results.

  • Sales Rank: #172569 in eBooks
  • Published on: 2011-10-04
  • Released on: 2011-10-04
  • Format: Kindle eBook

Amazon.com Review
Eric Carle and Tomie dePaola: Author One-on-One

Eric Carle is the creator, author, and illustrator of The Very Hungry Caterpillar and many other children’s books. Tomie dePaola is the author and illustrator of Strega Nona: Her Story and countless other books. They recently had a conversation about their careers as picture book authors.

Tomie dePaola: When I was only four years old, I announced to my family in particular and to the world in general that I was going to become an artist, and write stories and draw pictures for books. I never swayed from that early declaration. I’ve always been curious to know, what inspired you to become a creator and illustrator of picture books?

Eric Carle: My career began as a graphic designer and for a number of years I worked as an art director for an advertising agency in New York. In the mid 1960's Bill Martin, Jr. saw an ad of a red lobster that I had designed and asked me to illustrate his Brown Bear, Brown Bear, What Do You See? Well, I was set on fire! I was so inspired by this book, and the opportunity to illustrate it changed my life. After that, I started to create my own books, both words and pictures, and really it was then that I had found my true course in life.

Now, I have a question for you, Tomie. How would you describe your artistic style, and has it changed over time?

Tomie dePaola: My illustration style is heavily influenced by folk art--strong simple shapes, bold lines, color, color, color and a deceptive simplicity. My style began to develop early in art school, and through the years, it hasn’t changed very much, but it has refined itself. How would you describe yours?

Eric Carle: My aim with my work is to simplify and refine, be logical and harmonious. I like to use simple shapes, bright colors and a lot of white space. I write for the child inside of me. That is always where I begin.

Tomie dePaola: I do, as well. The only audience I keep in mind is that four-year-old in me. People sometimes ask me what advice I would give to young artists. I always think of the wonderful advice I received from my twin cousins when they were in art school in the late '30s. They told me, “Practice, practice, practice and don’t copy.”

Eric Carle: I often tell people about the four magic letters: DO IT. I want to be encouraging but I can only offer the example of my own experience, which is just one approach. There are many wonderful artists to learn about, which is important. But you must use your own imagination. You have to just do it.

Tomie dePaola: How do you feel knowing that a copy of The Very Hungry Caterpillar is sold every 30 seconds, somewhere in the world?

Eric Carle: It is hard for me, maybe for others too, to grasp this concept. But I am truly honored that my story is enjoyed by so many and that it is now being shared by a generation of parents who grew up with my book. How about your Strega Nona. She is one of your most popular characters. Can you share how she came to be?

Tomie dePaola: In the ‘70s when I was teaching at a college, we were required to attend faculty meetings. I always sat in the back with a yellow legal pad. Everyone thought I was taking notes. At one meeting a doodle appeared of a little lady with a big nose and a big chin. I named her Strega Nona, and the rest is history. Speaking of history, how will you be celebrating the third annual Very Hungry Caterpillar Day this year?

Eric Carle: On The Very Hungry Caterpillar Day, March 20th, I will probably be at home with my wife, Bobbie (I am a bit of a hermit, actually). But I will be saying a little toast to the caterpillar for whom I have a special place in my heart. And speaking of holidays, isn’t your favorite holiday Christmas. Do you have a special Christmas memory?

Tomie dePaola: Christmas is my favorite holiday. My favorite Christmas was the one when I received tons and tons of art supplies: everything from an easel to paints, pads and pads of paper, and “how to draw” books.

Review
The New York Times Book Review

"De Paola's illustrations aptly capture the whimsy of this ancient tale... simple line drawings clearly reveal the agony and ecstasy of pasta power, the muted colors create just the right ambiance for a Medieval village."

The New York Times Book Review"De Paola's illustrations aptly capture the whimsy of this ancient tale... simple line drawings clearly reveal the agony and ecstasy of pasta power, the muted colors create just the right ambiance for a Medieval village."

About the Author
Tomie dePaola is one of the most popular children’s book authors and illustrators of our time. His humor, insight, and gentle art delight readers. A Newbery Honoree, he has written and illustrated a number of books for Simon & Schuster, including Caldecott Honor book Strega Nona as well as Andy, That’s My Name; Watch Out for the Chicken Feet in Your Soup; and Charlie Needs a Cloak. A native of Connecticut, Mr. dePaola studied at the Pratt Institute in Brooklyn, New York, and now lives in New London, New Hampshire.

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1 of 1 people found the following review helpful.
Classic!
By Kzoo
I love Tomie dePaola! I read this book to my children, over and over, what felt like a thousand times. But when my grandchildren came along, I had to go out and buy it for them as well. I'm still willing to read it another thousand times, if they want me to. Books have to be great if you're going to read them that much, unless you're really into self-torture. Most of the garbage that is put out for children today is not worth the paper it's printed on - worth even less if it's a kindle ebook.

This story has a great plot, a simple moral, adorable pictures, and the kids love it. We usually follow it up with having spaghetti for supper!

0 of 0 people found the following review helpful.
Magical and humorous
By Ahhling
We started reading this book (my child is 3.5) a week ago and we have read it almost twice a day ever since. My daughter does not lack for favorite books but the fantastical aspect and the charming humor in this book have certainly captured her attention. She feels the anticipation as the pasta begins to overtake the town, she feels relief when Strega Nona stops the pot with a sputter, and she giggles with glee when Big Anthony's pot belly grows. Sometimes I get tired of reading longer books but I personally love to read this one and animate it with my voice to suit the charming story. The illustrations are absolutely wonderful too and I love sharing a fable from another culture with my daughter. Really a pleasure.

0 of 0 people found the following review helpful.
Great book for children - a classic!
By aim
This book teaches children about listening to their elders and the results of not doing so. I just purchased it for my grandchildren after making pasta for them. We read it together and they really enjoyed it.

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Senin, 18 Juli 2011

[S713.Ebook] Ebook Free Afro-Cuban Rhythms for Drumset (Book & CD), by Frank Malabe, Bob Weiner

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An introduction to Afro-Cuban rhythms, including the history, traditional instruments, and basic styles of Afro-Cuban music. The book explores the complexities of these various styles in a simple, understandable way. The companion audio is invaluable to anyone interested in adapting these rhythms to the drumset.

  • Sales Rank: #370130 in Books
  • Brand: Alfred
  • Model: 1053194
  • Published on: 1994-07-01
  • Original language: English
  • Number of items: 1
  • Dimensions: .22" h x 8.91" w x 11.90" l, .60 pounds
  • Binding: Paperback
  • 64 pages
Features
  • .

From the Publisher
An introduction to Afro-Cuban rhythms, including the history, traditional instruments and basic styles of Afro-Cuban music. The book explores the complexities of these various styles in a simple, understandable way. The companion audio is invaluable to anyone interested in adapting these rhythms to the drum set.

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0 of 0 people found the following review helpful.
I wanted some basic Afro-Cuban patterns I could use on ...
By Timothy
I wanted some basic Afro-Cuban patterns I could use on drum set. The book does provide these patterns. But much of the book goes into far greater detail and a much more in depth approach than I needed. If you want a very detailed and comprehensive understanding of Afro-Cuban music than this is the book for you. If you just want a basic understanding of drum set rhythms that work well with Afro-Cuban music than this book might be more than you want or need.

0 of 0 people found the following review helpful.
Three Stars
By John Chandler
good book

15 of 16 people found the following review helpful.
Brain challenging!
By A Customer
After 20+ years of playing the drum set I can hear and feel most standard rock and jazz rhythms fairly easily. But the rhythms in this book are so different that I find myself challenged in each exercise---even the simplest ones! This book will really help the drummer who is comfortable with current and past rock and jazz styles, because it is a huge stretch from the 4/4 and 3/4 that most of us spend virtually all of our time playing. More than anything, this book will help your overall sense of time, because its contents are so different from the American rock-pop-jazz genre, that your brain will have to work overtime to master them. It's helpful if you have some Latin traps in your kit, but not necessary to reap the full benefit. Couple this book with Gary Chester's New Breed, and you'll step into a new phase of musical creativity in your drumming career. The included CD is really essential to understanding the groove of these exercises.

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, by Pam Levangie, Cynthia Norkin: Joint Structure and Function: A Comprehensive Analysis Fifth (5th) Edition (With CD), by -Author-

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  • Sales Rank: #1104890 in Books
  • Published on: 2011
  • Binding: Hardcover

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